Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 12:

Tobacco is once more triumphant. The cycle of three hundred years is complete. Since the early decades of the seventeenth century, smoking has never been so generally practised nor so smiled upon by fashion as it is at the present time. Men in their attitude towards tobacco have always been divisible into three classes—those who respected and followed and obeyed the conventions of society and the dictates of fashion, and smoked or did not smoke in accordance therewith; those who knew those conventions but disregarded them and smoked as and what they pleased; and those who neither knew nor cared whether such conventions existed, or what fashion might say, but smoked as and what, and when and where they pleased. At the present time the three classes tend to combine into one. There are, it is true, a few conventions and restrictions left; but they are not very strong, and will probably disappear one of these days. There is also, of course, and always has been, a fourth class of men, who for one reason or another, quite apart from what fashion may say or do, do not smoke at all.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The scene is a tavern interior. Around the table are four men and a woman, while a boy approaches carrying two huge measures of ale. One man is smoking furiously, while on the table lie three other pipes—one for each man—and sundry pots and glasses. The woman is plainly a convivial soul; but there is no pipe for her, and such provision was no doubt unusual.

T here is direct evidence, too, besides the story in the first paragraph of this chapter, that women disliked the prevalence of smoking. In Marston's "Antonio and Mellinda," 1602, Rosaline, when asked by her uncle when she will marry, makes the spirited reply—"Faith, kind uncle, when men abandon jealousy, forsake taking of tobacco, and cease to wear their beards so rudely long. Oh, to have a husband with a mouth continually smoking, with a bush of furs on the ridge of his chin, readie still to flop into his foaming chops, 'tis more than most intolerable;" and similar indications of dislike to smoking could be quoted from other plays.
On the other hand, it is certain that from comparatively early in the seventeenth century there were to be found here and there women who smoked.

On the title-page of Middleton's comedy, "The Roaring Girle," 1611, is a picture of the heroine, Moll Cutpurse, in man's apparel, smoking a pipe, from which a great cloud of smoke is issuing.

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